So right around yesterday as I recoved from a full day of hanging out at the Circle M farm by cooking roast chicken and cheesy rutabega, a thought occurred to me as I looked out and to my shock saw tiny flakes of snow flying by the window:
Oh crap. November’s coming up isn’t it? That means I gotta spend the whole month focusing on Willow!
Ever since I learned about NaNoWriMo a couple of years ago, I’ve been using the month of November not so much as a month to put my butt in a chair and crank out a 50,000 word novel, but to focus on the novel I already had, Weeping of the Willows. The first year I did it, I cranked out 50,000 words worth of new material for my book. Ironically, a good deal of that material got stripped out in the first reading, but I still think it did me some good.
Last year, I don’t think I participated. Things were crazy for me that month, what with the possibility of selling our house and moving to Madison and all. It’s a miracle I got any writing done at all during that time.
So here it is, a year later. At the moment, I’m still reading through the first draft of Willow. It’s been slow going, partially because I do it at night, when I’m more likely to be tired and ready to blow it off. Partially because I’ve been focusing on my short story She’s All Light. Yes, yes, I know. A few weeks ago, I said that I was working on my final draft and once it was done, I would send it to Writers of the Future. No ifs, ands, or buts. I was done with it.
But then something happened. As I worked on the final draft, one of the supporting characters, which in previous drafts had been pretty sublime and quiet, did something so unexpected and bizarre, I actually stopped working and backed away from the laptop. It still gives me chills thinking about it; I don’t want to say that it was violent thing she did, but in the framework of the scene, what she did was something that made me–and the other characters–jump. And just like that, it came out of the blue. As I was working on the final draft.
Well, of course, when a character does something that gives you chills, that changes the whole nature of their persona in the story. There’s repucussions. You want to know why the character did it. You want to know how that one single act impacts the story from that point on. And I knew that I couldn’t call it a final draft anymore, because the story had changed. Which means that I need to do some more work on it.
Luckily, we had a writer’s group meeting, so I brought my “final” draft in. Turns out that I don’t have to rewrite the whole story from scratch, which is a great relief. However, the group confirmed what I felt after finishing the ‘final’ draft–the sections I had to change were so strong on their own, it made some other scenes unnecessary. So basically, I need to do some cutting.
Which is fine. My word count for this story had been pretty high, roughly around 12,000 words. Cutting out some scenes will trim it nicely. The hard part will be structuring the story after those cuts. I’ll have to take a couple of weeks to think on how the best way to do that…
And now you see my dilemma? For me to do this, I’ll have to either put aside working on Willow, which is something I don’t want to do, or I’ll just have to continue doing what I’m doing now, which is spend the afternoon working on the story, and the evening working on Willow.
Then again, it’s not like my writing schedule is set in stone. I can be flexible. The WOTF deadline is not until January 1. I don’t necessarily have to wait until November to focus on Willow. I can start doing that…well…today…
So how does this look: this week, I’ll focus exclusively on Willow in both my afternoon and evening writing sessions. Then, next week, start working on the She’s All Light cuts during the evening session. It means I’ll be putting more of my energies on working on Willow still, but in switching the two, it will help me focus on something new at night. At least, that’s the theory. Then, when the story is done and finally out the door, go back to doing Willow twice a day until I’m done with the readthrough. My goal is to start working on actual revisons at the beginning of 2009. (Oh, and what fun that will be…)
I’ve realized that this means that I will have spent the whole of 2008 working on two things: She’s All Light and Willow. Doesn’t make for a productive year, does it? Well, I don’t feel terribly bad. Actually, I have written other stories for fun, and there are several that I want to focus on when I get the chance (I may actually focus on one after I get SAL out the door–it’s a flash, so it should take up much time). But in light of all that’s happened this year, I’m just grateful that I have the chance to write at all.
So thank you for being with me as I sort all this out. All of this will pay off, I promise you when both of these stories get published. Don’t know when, mind you, but I can tell you it will happen.